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TV/Movies Megathread

Started by Eddie Teach, March 06, 2011, 09:29:27 AM

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Josquius

I've been watching The Watch.
Onto episode 3.
It was supposed to be terrible. But I'm finding it decent? :unsure:
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Admiral Yi

Watching Narcos Mexico.

I didn't know the Sinaloans invented sensemilla.

Syt

#49127
Quote from: garbon on July 29, 2021, 10:18:26 AM
I long for the day when our animation style evolves.

https://twitter.com/MisterABK/status/1431280666751156225
"Every episode of Generic Animated Sitcom™"
(video at link)

P.S.:

https://twitter.com/FrizFrizzle/status/1420509456429891588

Quote
Friz Frizzle
@FrizFrizzle

Here's the cast of my new adult animation "People With a Non-Human That Talks", featuring a completely original art style! Proud to announce I've already been picked up for 26 episodes.

I am, somehow, less interested in the weight and convolutions of Einstein's brain than in the near certainty that people of equal talent have lived and died in cotton fields and sweatshops.
—Stephen Jay Gould

Proud owner of 42 Zoupa Points.

Savonarola

Quote from: Savonarola on July 13, 2021, 02:38:08 PM
Louder than Love: The Grande Ballroom Story (2012)

This is a documentary about Detroit's Grande Ballroom.  The Grande Ballroom was build in the 20s as a dance hall (one favored by the Purple Gang) with one of the largest wooden floors in the country.  This documentary covers the period between 1967-1972 when the Grande Ballroom was Detroit's premier rock club.  The title is based around a number of puns; the club opened in 1967, the "Summer of Love" in San Francisco; the club consciously imitated the Filmore in San Francisco; and the local acts that played at the Grande (the Stooges, the MC5, Alice Cooper, The Amboy Dukes) were much louder than the acts that came out of Haight-Ashbury.

The documentary focused mostly on the louder bands; not only from Detroit, but also the British bands from the era (The Who first performed "Tommy" live at the Grande); but everyone played there.  BB King was interviewed in the documentary, Big Brother recorded a couple songs off of "Cheap Thrills" there (and some of the members of the MC5 recall that they kept shouting "Kick out the jams" at Janis.)  The MC5 were one of the house bands ("Kick out the Jams" was recorded live at the Grande) as were the Stooges.  The proprietor, Russ Gibb, said that he didn't get The Stooges at all, the first time he met them Iggy Pop had miked the toilet and was just fascinated by the rush of noise he got when he flushed it; but the kids loved them.

The music industry changed in the early 70s towards larger venues and, even before the riots, the Grande was in a rough neighborhood.  So today, like much of Detroit, the building is abandoned and falling apart.

The Grande is a few miles from where my mom grew up.  I had an uncle who used to go there regularly; he said that the music was fantastic, but you were just as likely as not to find someone ODing in the bathroom when you walked in.  The documentary did mention the drug use, but only the fun psychedelic drugs, not the hard ones.

Nova South University has an exhibition of Anna Sui's fashion design at their university museum.  I learned that Sui grew up in Metro Detroit and collected posters to the shows of the Grande (she would have been too young to go to a concert there.)  She credited that as one of the influence on her design.

I met a couple women of a certain age at the exhibit who grew up in the Detroit area. They had been to the shows there and assured me that the Grande was a wicked place.
In Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace—and what did that produce? The cuckoo clock

Savonarola

The Golem: How He Came Into the World (1920)

This is Paul Wegner's third film about the Golem; he had previously directed "The Golem" (1915) and "The Golem and the Dancing Girl" 1917.  In this film he plays the Golem.  Obviously the man liked his golems.

While not the nightmare of "Cabinet of Dr. Caligari" this is still a weird expressionist tale filled with oversized and stylized sets. 
In Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace—and what did that produce? The cuckoo clock

crazy canuck

The Italian Job (1969)  This one did not age well.  Caine's character is an ass who harasses a bunch of dim witted English blokes with non stop verbal abuse while they pull off a heist.  It is never made very clear why he was there.  He did not seem to do anything other than yell abusively at the people doing the real work.  Part of the heist team was Benny Hill's character.  His role in the heist was even more of a mystery as all he did was sexually assault a woman on a bus and then as she entered the police station.

The car scenes were still pretty good but don't make up for the rest of the movie filled with terrible dialogue, and very cringe scenes.   

The Brain

Women want me. Men want to be with me.

Sheilbh

I think that's kind of a theme in Michael Caine's big early roles (off the top of my head, except for Zulu) that he's normally remembered as charming and likeable. But I think that's a testament to his charisma because the characters he plays are almost never nice people - Alfie, Italian Job, Get Carter, maybe even the Deighton films.

He's almost always playing an anti-hero, but his performances are so charismatic we remember them as heroes until you actually watch the film again :lol:

(It's why I also think the Jude Law remakes of Alfie and Get Carter don't work)
Let's bomb Russia!

crazy canuck

Quote from: Sheilbh on August 27, 2021, 02:15:23 PM
I think that's kind of a theme in Michael Caine's big early roles (off the top of my head, except for Zulu) that he's normally remembered as charming and likeable. But I think that's a testament to his charisma because the characters he plays are almost never nice people - Alfie, Italian Job, Get Carter, maybe even the Deighton films.

He's almost always playing an anti-hero, but his performances are so charismatic we remember them as heroes until you actually watch the film again :lol:

(It's why I also think the Jude Law remakes of Alfie and Get Carter don't work)

I think you nailed it.

mongers

Quote from: Sheilbh on August 27, 2021, 02:15:23 PM
I think that's kind of a theme in Michael Caine's big early roles (off the top of my head, except for Zulu) that he's normally remembered as charming and likeable. But I think that's a testament to his charisma because the characters he plays are almost never nice people - Alfie, Italian Job, Get Carter, maybe even the Deighton films.

He's almost always playing an anti-hero, but his performances are so charismatic we remember them as heroes until you actually watch the film again :lol:

(It's why I also think the Jude Law remakes of Alfie and Get Carter don't work)

I'm not sure they're all anti-heroes, sometimes its more, the common man in establishment settings.
"We have it in our power to begin the world over again"

celedhring

After all the praise from fellow Languishites I've watched Giri/Haji. It is a very fine show.

Sheilbh

Quote from: mongers on August 27, 2021, 05:51:15 PM
I'm not sure they're all anti-heroes, sometimes its more, the common man in establishment settings.
I think that might go for the Deighton films (but again - horrible to women from memory). But again I think that's part of the magic of Caine's charisma. His characters in Alfie or Get Carter are awful people, but we give them a sort of cheeky chappie, common man pass - I think that's all in his performance and in anyone else's hands we'd sort of recoil from them.
Let's bomb Russia!

viper37

Fast and Furious 9.

The first 3/4 of the movie is a tad less... crazy than 6-7-8.  Once they get into the conclusion, it's going bonkers, as with any Justin Lin movies.  Even with your brain at 'off' it gets a little too crazy.

The best of the franchise are still 1-4-5.  After that, it goes in every direction.
I don't do meditation.  I drink alcohol to relax, like normal people.

If Microsoft Excel decided to stop working overnight, the world would practically end.

Duque de Bragança

UltraViolet (2006)

Blurriest (gaussian) CGI crapfest ever. Who needs texture in movies? Only the 16, 35 and 70 mm crowd (the latter the 3 of them) .
Part Underworld and Matrix knock-off. Think of a bad PS2 (not PS1 not conical enough) cinematic linked through a composite cable to your old TV. I suppose Milla Jovovich fans could still enjoy it as long as they do not object to her face being blurred digitally (cheaper than good make-up). Plot does not make much sense though I have not watched the extended cut.
Cost 30 m$ allegedly.  :hmm:

Might make the Three Musketeers 3D, also with Milla Jovovich, with Bavaria standing for France, look good in comparison, with ridiculous and unpractical, yet gorgeous clothing for Milla Jovovich to wear for "fighting" (digitally and cable-fuing).
Yes, since this was a "tribute" to Milla Jovovich I ended up winning a Belgian copy of the Three Musketeers 3D blu-ray.

11B4V

Quote from: viper37 on August 30, 2021, 09:40:52 AM
Fast and Furious 9.

The first 3/4 of the movie is a tad less... crazy than 6-7-8.  Once they get into the conclusion, it's going bonkers, as with any Justin Lin movies.  Even with your brain at 'off' it gets a little too crazy.

The best of the franchise are still 1-4-5.  After that, it goes in every direction.

I know Seedy can't wait to see Vin in action again. He is his favorite actor IIRC.
"there's a long tradition of insulting people we disagree with here, and I'll be damned if I listen to your entreaties otherwise."-OVB

"Obviously not a Berkut-commanded armored column.  They're not all brewing."- CdM

"We've reached one of our phase lines after the firefight and it smells bad—meaning it's a little bit suspicious... Could be an amb—".