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TV/Movies Megathread

Started by Eddie Teach, March 06, 2011, 09:29:27 AM

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Queequeg

Nixon.

So is Oliver Stone just completely fucking talentless?  I have no idea how the fuck you make a boring movie out of the life of Richard Nixon.  The paranoia alone should make it fucking easy. 
Quote from: PDH on April 25, 2009, 05:58:55 PM
"Dysthymia?  Did they get some student from the University of Chicago with a hard-on for ancient Bactrian cities to name this?  I feel cheated."

Admiral Yi

Quote from: Queequeg on November 23, 2013, 01:31:58 AM
Nixon.

So is Oliver Stone just completely fucking talentless?  I have no idea how the fuck you make a boring movie out of the life of Richard Nixon.  The paranoia alone should make it fucking easy.

Totally shot his wad on Platoon and Wall Street.  Had been hustling movie money people ever since.

Ideologue

Quote from: Ed Anger on November 22, 2013, 11:59:52 PM
Wait, french lesbian porno?

Quote from: QueequegNixon.

Now we're talking. :smoke:
Kinemalogue
Current reviews: The 'Burbs (9/10); Gremlins 2: The New Batch (9/10); John Wick: Chapter 2 (9/10); A Cure For Wellness (4/10)

Ideologue

Actually, isn't that basically the plot of Dick?  Remember that?  It was big.*

*Lol. -_-
Kinemalogue
Current reviews: The 'Burbs (9/10); Gremlins 2: The New Batch (9/10); John Wick: Chapter 2 (9/10); A Cure For Wellness (4/10)

Savonarola

The Dragon Painter (1919)

In the silent era Sessue Hayakawa put together his own company of actors to make Oriental pictures that were different of the cliche's of the day.  (In most of the pictures Asian men were sneaky, sadistic and lusted after white women.  A marvelous example of this is "The Cheat" where Hayakawa brands a white woman to show his ownership of her.)

In The Dragon Painter Hayakawa is a primitive (and half savage) painter who believes that his princess has been stolen.  This belief propels him to create.  He comes to the attention of a famed artist who doesn't have an heir or disciple.  The artist has a daughter (played by Hayakawa's wife, Tsuru Aoki) who Hayakawa believes is his princess.  Once they are married he can't paint; so she kills herself so he can recover his genius (or does she?)  Anyway we all learn a valuable lesson in the end.
In Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace—and what did that produce? The cuckoo clock

Eddie Teach

Quote from: Ideologue on November 23, 2013, 02:21:03 AM
Actually, isn't that basically the plot of Dick?  Remember that?  It was big.*

*Lol. -_-

To sleep, perchance to dream. But in that sleep of death, what dreams may come?

The Brain

SatC movies are on TV. Back to back! :w00t:
Women want me. Men want to be with me.

Malthus

Quote from: Peter Wiggin on November 22, 2013, 07:12:09 PM
I hope you're happy with what you started, Malthus.  :rolleyes:

:lol:

My contribution: for a kiddie show, Avatar has some surprisingly adult themes, many of which sail right over the heads of the actual kids watching it.

The episode I just watched with the kid had examples of this. It involves the female lead character, Katara, searching for the man who murdered her mother when she was a child. The actual killing of her mother isn't shown, but the effect on her and her brother isn't hidden at all. She finds him as a pathetic old man, totally at her mercy - and, as much as she wants to, simply can't bring herself to kill him. I thought it was a pretty nuanced take on revenge, memory, and morality, far beyond the scope of most children's shows, and it ends with a real zinger - the Avatar, who had pressed Katara to "forgive" her mother's killer (something she doesn't by any means do - she doesn't kill him, but she states outright she hasn't forgiven him) praises her decision, stating that "violence is never the answer" - whereupon prince Zuko points out that, if that is the case, exactly what is he planning to do when he faces the Fire Lord (the big bad)?   



The object of life is not to be on the side of the majority, but to escape finding oneself in the ranks of the insane—Marcus Aurelius

Viking

Quote from: Malthus on November 23, 2013, 05:09:40 PM
Quote from: Peter Wiggin on November 22, 2013, 07:12:09 PM
I hope you're happy with what you started, Malthus.  :rolleyes:

:lol:

My contribution: for a kiddie show, Avatar has some surprisingly adult themes, many of which sail right over the heads of the actual kids watching it.

The episode I just watched with the kid had examples of this. It involves the female lead character, Katara, searching for the man who murdered her mother when she was a child. The actual killing of her mother isn't shown, but the effect on her and her brother isn't hidden at all. She finds him as a pathetic old man, totally at her mercy - and, as much as she wants to, simply can't bring herself to kill him. I thought it was a pretty nuanced take on revenge, memory, and morality, far beyond the scope of most children's shows, and it ends with a real zinger - the Avatar, who had pressed Katara to "forgive" her mother's killer (something she doesn't by any means do - she doesn't kill him, but she states outright she hasn't forgiven him) praises her decision, stating that "violence is never the answer" - whereupon prince Zuko points out that, if that is the case, exactly what is he planning to do when he faces the Fire Lord (the big bad)?

As much as people like other episodes like The Blue Spirit or Zuko Alone. The Southern Raiders and The Puppetmaster are my two favorites. They confront the issues that Aang avoids Deus Ex Machina each season finale. In reality shit like this happens and you can't be pure of intent, pure of action and simultaneously successful. In those two episodes everybody loses and growth happens because they know they lost. Another personal highlight for me is Lake Laogai. Ju Lee freaks me out. Then again, I had a Ju Lee style minder when I was in china in 1989 and it felt a bit like reading 1984 and feeling de-ja-vou. 
First Maxim - "There are only two amounts, too few and enough."
First Corollary - "You cannot have too many soldiers, only too few supplies."
Second Maxim - "Be willing to exchange a bad idea for a good one."
Second Corollary - "You can only be wrong or agree with me."

A terrorist which starts a slaughter quoting Locke, Burke and Mill has completely missed the point.
The fact remains that the only person or group to applaud the Norway massacre are random Islamists.

Ideologue

#14409
The Counselor (2013).  Not to everyone's taste, no doubt, but if you liked Waking Life, or better yet Mindwalk, and thought to yourself, "I wish Sam Waterston's life was destroyed, John Heard got decapitated, and Liv Ullman was fucking evil," you may like this.

A

The J.D.: the degree so versatile you can fail to deal drugs with it too

Am working on the others.  Writing is hard.  Just ask CdM.  LOL.
Kinemalogue
Current reviews: The 'Burbs (9/10); Gremlins 2: The New Batch (9/10); John Wick: Chapter 2 (9/10); A Cure For Wellness (4/10)

Sheilbh

Quote from: Queequeg on November 23, 2013, 01:31:58 AM
Nixon.

So is Oliver Stone just completely fucking talentless?  I have no idea how the fuck you make a boring movie out of the life of Richard Nixon.  The paranoia alone should make it fucking easy.
I thought it was a fine film. Odd casting, though at least he got Hopkins when he was still trying.
Let's bomb Russia!

CountDeMoney

Quote from: Ideologue on November 23, 2013, 08:06:14 PM
Am working on the others.  Writing is hard.  Just ask CdM.  LOL.

:lol:  Ass.  I've been busy on an expansive research work concerning Castro's early consolidation of power, tentatively entitled Fidel a la Florentine: Machiavellian Fortuna, Virtu and the Cuban Revolution, 1959-1963, thank you very much.



I have some movie recommendations for you from the '80s, Ide.  Can't remember if I sent them your way before.
Brainstorm with Christopher Walken, Natalie Wood (in her last film), Louise Fletcher, and Cliff Robertson.  I may have recommended it to you once before, but it's a bit ahead of its time. 
Gloria, 1980--the original one.  Gena Rowland rocks in it.  A John Cassavettes production.
In light of your recent John Frankenheimer kick, two with Roy Scheider: 52 Pick Up with a fucked up Clarence Williams III, and The Fourth War, where Roy Scheider and Jurgen Proctnow fuck with each other on the Czech border at the end of the Cold War.

Ideologue

:P

52 Pick Up is, iirc, in my queue right now.  I can't even remember what the synopsis was now but I remember at the time it sounded fucking cool. :lol:
Kinemalogue
Current reviews: The 'Burbs (9/10); Gremlins 2: The New Batch (9/10); John Wick: Chapter 2 (9/10); A Cure For Wellness (4/10)

CountDeMoney

It's a nifty, nifty movie.  How could an Elmore Leonard story not be?

Ideologue

I still can't believe Black Sunday isn't available on Netflix.  It's not just famous--I know the basic plot outline even though I've never seen it--but, FFS, it's a story about a crazy guy who crashes a blimp into the Superbowl.  It's a real American fable.
Kinemalogue
Current reviews: The 'Burbs (9/10); Gremlins 2: The New Batch (9/10); John Wick: Chapter 2 (9/10); A Cure For Wellness (4/10)