TV/Movies Megathread

[celedhring]

Tbf, I thought some the archetypes were mostly a Star Wars ripoff, too.

Starlord/Luke Skywalker: [spoiler]guy with a mysterious ascendacy (waiting for the "I'm your father" moment in the Guardians saga), that gives him some supernatural capabilities (hinted at the end of Guardians). Since this is 2014 and not 1977 the gee-whiz fascination for adventure is supplemented with wisecracks.
[/spoiler]
Gamora / Leia: [spoiler]Member of the royalty of a destroyed planet that's been plotting to betray the Evil Guys and ultimately escapes from them. Because she's an "insider" she knows the Evil Plan (the Death Star / the Orb) and obtains the help of the other protagonists to defeat it.[/spoiler]

Han Solo / Rocket: [spoiler]mercenary kind of guy that's only motivated by money, very cynical and wisecracking, but ultimately comes to the rescue after embracing friendship for the first time since good knows when. Has a weird extraterrestrial companion that's unable to talk[/spoiler] (Chewie/Groot), [spoiler]that acts as his moral compass.[/spoiler]

That's fine, there's nothing new under the Sun and Star Wars characters were a rehash of older ones too. Still, my only "but" regarding Guardians of the Galaxy is that ultimately it was another rehash of 500000 films before it, just an entertaining and very funny rehash.

[Syt]

That's true since these are - after all - classical archetypes.

It's just that I thought many times throughout the movie that it felt like a super high budget Farscape episode based on the action, zaniness, characters and dialogue.

[Eddie Teach]

Spike Lee's Oldboy. Impressed that he was able to make it through an entire movie without touching on how oppressed black people are.

Less impressive was his fight choreography. The scene where Josh Brolin takes on 8 people is pretty /facepalm worthy.

Most impressive was Elizabeth Olsen's body.

Overall, I'd say see the Korean version first, but this one's worth watching too.

[celedhring]

Spike Lee's Oldboy. Impressed that he was able to make it through an entire movie without touching on how oppressed black people are.

To be honest to Lee, Inside Man was also like that. Fun film too.

I have been dreading to watch the yank remake of Oldboy, since I think the first one is pretty damn great. One question: is the ending the same?

[Ideologue]

Spike Lee's Oldboy. Impressed that he was able to make it through an entire movie without touching on how oppressed black people are.

To be honest to Lee, Inside Man was also like that. Fun film too.

Still my favorite heist film, but I think you're forgetting a couple of minor scenes.

[celedhring]

I might. But I remember leaving the cinema and thinking, wow, Spike Lee has made a film that's not about racism*


*against blacks, at least.

[The Brain]

25th Hour isn't about race stuff.

[celedhring]

25th Hour isn't about race stuff.

Forgot about that one. It's actually quite good.

[The Brain]

25th Hour isn't about race stuff.

Forgot about that one. It's actually quite good.

I love it.

[Scipio]

Spike Lee's Oldboy. Impressed that he was able to make it through an entire movie without touching on how oppressed black people are.

To be honest to Lee, Inside Man was also like that. Fun film too.

I have been dreading to watch the yank remake of Oldboy, since I think the first one is pretty damn great. One question: is the ending the same?

Inside Man always makes me quite happy.

[Josquius]

When I was at the cinema the other week I saw a trailer for a film called Sex Tape. Looks like a typical so-so not particularly laugh out loud comedy.
One thing did strike me about it.
The actor in it. The guy who plays Marshal on How I Met Your Mother- shit he looks terrible. Does he have aids or something? He's so thin

[Eddie Teach]

I have been dreading to watch the yank remake of Oldboy, since I think the first one is pretty damn great. One question: is the ending the same?

[spoiler]Main reveal is the same. Motivation of antagonist is similar. Outcome, I'm not positive, but I think it was about the same.[/spoiler]

[Scipio]

Eddie Pepitone, In Ruins.

He's the Bukowski of modern stand-up. And this is the most Bukowski of his sets.

[Ideologue]

It's really bumming me out how little respect Jack Arnold's filmography's gotten, that only something like 70% of his 1950s output is available in any fashion, and only about half available in any easily obtainable format.  Sure, Criterion will make sure every last little piece of crap by any Euroloser with a camera gets a pristine blu-ray release, but an American contract director who made good movies that people would probably actually enjoy?  Fuck that.  It's not pretentious enough.

[garbon]

It's really bumming me out

Okay, Psellus.