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FahrenHYPE 9/11

Started by Siege, June 18, 2012, 02:47:45 PM

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Siege

Have you guys seen FahrenHYPE 9/11?
http://en.wikipedia.org/wiki/FahrenHYPE_9/11
The movie: http://www.youtube.com/watch?v=s713LjbTR7E

This is the best response yet to Moore's propaganda, me thinks.


"All men are created equal, then some become infantry."

"Those who beat their swords into plowshares will plow for those who don't."

"Laissez faire et laissez passer, le monde va de lui même!"


Habbaku

I recall watching this back in 2005.  At the time, I thought it was amusing, but I have no idea how it's stood up.  Probably about as well as Moore's own film.
The medievals were only too right in taking nolo episcopari as the best reason a man could give to others for making him a bishop. Give me a king whose chief interest in life is stamps, railways, or race-horses; and who has the power to sack his Vizier (or whatever you care to call him) if he does not like the cut of his trousers.

Government is an abstract noun meaning the art and process of governing and it should be an offence to write it with a capital G or so as to refer to people.

-J. R. R. Tolkien

JonasSalk

It has Ed Koch thanking god that we have the PATRIOT Act. That's all you need to know about how awful both movies are.
Yuman

Viking

This was the only response I really needed to see...

http://www.rense.com/general53/brad.htm

QuoteBradbury Calls Moore 'A
Jerk' Over 'Fahrenheit' Title
By Steven Gaydos
Variety.com
6-9-4

LONDON -- Fahrenheit 451, as we all should know by now, is the temperature at which paper burns.

"Fahrenheit 9/11" is the temperature at which Ray Bradbury, author of classic sci-fi novel "Fahrenheit 451," gets really burned up.

Bradbury is telling everyone in earshot that while Michael Moore may be a Palme d'Or- and Oscar-winning director, he's "a jerk" nevertheless.

Bradbury's problems with Moore don't stem from any disagreements with the political content of Moore's "Fahrenheit 9/11." It's the title, which Bradbury contends was appropriated by Moore without credit or, more damningly in his view, without manners.

"He's not a very nice person, is he?" Bradbury asks plaintively. "He steals things without permission, and he never even called me. My novel is 50 years old and still being taught in schools. He could have called it 'an homage,' right? But even after I called him about it six months ago to protest, and was told he would call me back, he never did."

Bradbury made it clear that what he seeks is not legal recourse but something considered old-fashioned in today's Hollywood: courtesy. The legendary novelist has no interest in taking Moore to court because "litigation takes forever."

"I sued CBS in 1957 because they plagiarized 'Fahrenheit 451' for 'Playhouse 90.' They approached me for the rights and I turned them down and they used the book anyway. I finally won, but it took me three years."

So, what does Bradbury want? "I would like to know his opinion of why he did it."

To that end, upon hearing of Bradbury's heated views, Joanne Doroshow from Michael Moore's office issued the following statement:

"We have the greatest respect for Ray Bradbury -- he is one of our nation's great fiction writers. Mr. Bradbury's work has been an inspiration to all of us involved in this film. When you watch the film, you will see that title reflects the fact that the movie explores the very real life events before, around and after 9/11."
First Maxim - "There are only two amounts, too few and enough."
First Corollary - "You cannot have too many soldiers, only too few supplies."
Second Maxim - "Be willing to exchange a bad idea for a good one."
Second Corollary - "You can only be wrong or agree with me."

A terrorist which starts a slaughter quoting Locke, Burke and Mill has completely missed the point.
The fact remains that the only person or group to applaud the Norway massacre are random Islamists.