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TV/Movies Megathread

Started by Eddie Teach, March 06, 2011, 09:29:27 AM

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The Brain

So did the gambler disappear or not?
Women want me. Men want to be with me.

Ideologue

Totally disappeared.  Sorry.
Kinemalogue
Current reviews: The 'Burbs (9/10); Gremlins 2: The New Batch (9/10); John Wick: Chapter 2 (9/10); A Cure For Wellness (4/10)

The Brain

Women want me. Men want to be with me.

Ideologue

Kinemalogue
Current reviews: The 'Burbs (9/10); Gremlins 2: The New Batch (9/10); John Wick: Chapter 2 (9/10); A Cure For Wellness (4/10)

Savonarola

Curse of the Cat People (1944)

While this has some of the same cast as Cat People, and makes reference to the initial film, it is only tangentially related.  Instead it's about the inner life of an imaginative young girl and her conflict with her practical father.  Despite the title it's not at all a horror film, and there aren't even any cat people in it.  The studio had an unrelated story and tried to cash in on the popularity of Cat People.

It's not a bad movie in spite of that, but it must have been a colossal disappointment to people who were expecting a horror movie and got a charming family drama instead.

(I've got the David Bowie song stuck in my head now.  I've been putting out fire with GAS-O-LEEEEEN!)
In Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace—and what did that produce? The cuckoo clock

Savonarola

Quote from: Ideologue on August 11, 2013, 05:35:13 PM
Man, I dunno, changed my mind about High and Low.  I keep trying to average out the A+ first 65 minutes and the highish B, extremely lowish B+ of the last 80.

Really more of a B+ overall.  It's like two separate movies.

It reminded me of Full Metal Jacket; the director creates an intense, gripping piece in the first part and completely different sort of film in the second.  Not that the second part of either film is bad, but they just don't live up to the first part and don't work together as a single piece.
In Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace—and what did that produce? The cuckoo clock

Josephus

First part of FMJ was really good. Second part was somewhat disjointed. Was kind of cool to see Vietnam fought in an urban environment, as opposed to the usual jungle scenes, but yeah, doesn't hold up to the first half.
Civis Romanus Sum<br /><br />"My friends, love is better than anger. Hope is better than fear. Optimism is better than despair. So let us be loving, hopeful and optimistic. And we'll change the world." Jack Layton 1950-2011

Ed Anger

I don't even bother after private Pyle airs out his brains with a M-14.
Stay Alive...Let the Man Drive

Darth Wagtaros

I felt the same way about Sleepers.  After the first part the second was almost irrelevant.
PDH!

fhdz

4 episodes in on The Bridge; I'm hooked now. Good show with the potential to become very good.
and the horse you rode in on

CountDeMoney

Quote from: fhdz on August 13, 2013, 03:49:59 PM
4 episodes in on The Bridge; I'm hooked now. Good show with the potential to become very good.

Oh yeah.  And you can definitely tell which writer from Homeland left to write for Bridge.

Queequeg

Sav, that's Malevich right? Or Kandinsky?
Quote from: PDH on April 25, 2009, 05:58:55 PM
"Dysthymia?  Did they get some student from the University of Chicago with a hard-on for ancient Bactrian cities to name this?  I feel cheated."

Ideologue

Quote from: Savonarola on August 13, 2013, 12:29:01 PM
Quote from: Ideologue on August 11, 2013, 05:35:13 PM
Man, I dunno, changed my mind about High and Low.  I keep trying to average out the A+ first 65 minutes and the highish B, extremely lowish B+ of the last 80.

Really more of a B+ overall.  It's like two separate movies.

It reminded me of Full Metal Jacket; the director creates an intense, gripping piece in the first part and completely different sort of film in the second.  Not that the second part of either film is bad, but they just don't live up to the first part and don't work together as a single piece.

Man, that's a good comparison.  Jacket sorta shapes back up with the sniper sequence, though; kinda how High and Low does, maybe to a lesser extent, when we (finally) come back to Gondo with all his shit getting repossessed.  Both do have extremely memorable closing shots.
Kinemalogue
Current reviews: The 'Burbs (9/10); Gremlins 2: The New Batch (9/10); John Wick: Chapter 2 (9/10); A Cure For Wellness (4/10)

Ideologue

Watched Forbidden Planet again.  Out of curiosity, does anyone know how Anne Francis' wardrobe in Forbidden Planet was received back in the 50s?  It's explicitly a little scandalous (there's a whole shouldn't-have-worn-that-skirt part where Leslie Nielsen yells at her for making his crew horny), but it is indeed a little salacious.  For example, there's a scene where, despite her Evelike innocence, she was clearly blocked not to bend over too far because her dress is so short we'd have gotten a great view of her ass if she'd bent normally.  I wonder how it was viewed at the time.

Interestingly, the worst effects shot in the film is her swimming "nude" in the pool in what can be clearly viewed to be a very concealing cream-colored dress. :lol:

I was also having fun trying to pretend the ending is ambiguous at all, and whether it could really have been Altaira controlling the Krell machines.  It's obviously meant to be her dad, of course, but there's a weird bit where she's the one having the dream about the id monster trashing the saucer crew. :hmm:
Kinemalogue
Current reviews: The 'Burbs (9/10); Gremlins 2: The New Batch (9/10); John Wick: Chapter 2 (9/10); A Cure For Wellness (4/10)

CountDeMoney

She had some serious leggage back in the day.